Books
The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press, Forthcoming (2003).
Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's "Dirty War". Durham: Duke University Press, 1997.
Theatre of Crisis: Drama and Politics in Latin America. Lexington: University Press of Kentucky, 1991.
Edited books
Stages of Conflict: A Reader of Latin American Theatre and Performance. Ann Arbor: Michigan University Press, Forthcoming (2004).
With Roselyn Costantino. Holy Terrors: Latin American Women Perform. Durham: Duke University Press, Forthcoming (2003).
With Martínez Victoria. Defiant Acts: Four Plays by Diana Raznovich. Lewisburg: Bucknell University Press, 2002.
With Annelise Orleck and Alexis Jetter. The Politics of Motherhood Activist Voices from
Left to Right. Hanover: University Press of New England, 1997.
With Juan Villegas. Negotiating Performance Gender, Sexuality, and Theatricality in Latin/o America. Durham: Duke University Press, 1994.
En busca de una imagen: Ensayos críticos sobre Griselda Gambaro y José Triana. Ottawa: Girol Books, 1989.
Fernando Arrabal: El arquitecto y el emperador de asiria y Cementerio de automoviles. Madrid: Cátedra, 1984.
Chapters in books
"Denise Stoklos' CASA (Translation from Portuguese with Denise Stoklos)." Holy Terrors: Latin American Women Perform. Ed. Diana Taylor. Durham: Duke University Press, Forthcoming (2003).
"Escenando a mem—ria social: Yuachkani." (Translated by Leda Martins) Performance, Exílio, Fronteiras. Eds.Graciela Ravetti and Márcia Arbex. Brazil: Belo Horizonte UFMG, 2002.
"Damnable Iteration: The Traps of Political Spectacle." The Places of History: Regionalism Revisited in Latin America. Ed. Doris Sommer. Durham: Duke University Press, 1999.
"Diana: A Study in Hauntology." Mourning Diana: Nation, Culture and the Performance of Grief. Eds. Adrian Kear and Deborah Lynn Steinberg. London: Routledge, 1999.
"Fighting Fire with Frivolity: Diana Raznovich's Defiant Acts." Performance, Pathos, Política de los Sexos. Eds. Heidrun Adler and Kati Rottger. Frankfurt: Vervuert, 1999.
"Border Watching." The Ends of Performance. Eds. Jill Lang and Peggy Phelan. New York: New York University Press, 1998.
"Making a Spectacle: The Mothers of Plaza De Mayo." Radical Street Theatre. Editor Jan Cohen-Cruz. London: Routledge, 1998.
"Staging Argentine Feminism: The Theatre of Diana Raznovich." Latin American Women Dramatists: Theatre, Texts, and Theories. Eds. Catherine Larson and Margarita Vargas. Bloomington: Indiana University Press, 1998.
"Performing Motherhood: The Madres De La Plaza De Mayo." The Politics of Motherhood: Activist Voices from Left to Right. Eds. Annelise Orleck, Alexis Jetter, and Diana Taylor. Hanover: University Press of New England, 1997.
"Spectacular Bodies: Gender, Terror and Argentina's 'Dirty War'." Gendering War Talk. Eds. Miriam Cooke and Angela Woollacott. Princeton: Princeton University Press, 1993.
"Violent Displays: Griselda Gambaro and Argentina's Drama of Disappearance." Information to Foreigners: Three Plays by Griselda Gambaro. Translated by Marguerite Feitlowitz. Evanston: Northwestern University Press, 1992.
"Introduction." The Representation of Otherness in Chicano and Latin American Theatre and Film. Eds. Diana Taylor and Juan Villegas, 1991.
"Transculturating Transculturation." Interculturalism and Performance: Writings from PAJ. Bonnie Marranca and Gautam Dasgupta. New York: Performance Arts Journal Publications, 1991.
"ÀEnvidia del pene o violencia doméstica? El bigote y La pistola de Sabina Berman." Piezas latinoamericanas en un acto. Edici—n de María Mercedes Jaramillo. Colombia: Universidad de Antioquía, 1997.
"Theatre & Terrorism." Crucibles of Theatre. Ed. Janelle Reinelt. Ann Arbor: Michigan University Press, 1996.
"Emilio Carballido: La década de los setenta." Teatro latinoamericano de los '70. Ed. Osvaldo Pellettieri. Buenos Aires: Ediciones Corregidor, 1995.
"Griselda Gambaro and Argentina's Drama of Disappearance." Ed. Marjorie Agosin. Albuquerque: University of New Mexico Press, 1995.
With Annelise Orleck and Alexis Jetter. "The War on Poor Mothers and Children." Populations at Risk in America . Eds. George Demko and Michael C. Jackson. Boudler: Westview Press, 1995.
"La política de la ambigŸedad." Essays on José Triana. Ed. Kirsten Nigro. University of Colorado Society of Spanish and Spanish American Studies, 1994.
"Negotiating Performance: Opening Remarks." Negotiating Performance: Gender, Sexuality and Theatricality in Latin/o America. Eds. Diana Taylor and Juan Villegas. Durham: Duke University Press, 1994.
"Performing Gender/Performing Politics: The Madres De La Plaza De Mayo." Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America. Eds. Diana Taylor and Juan Villegas. Durham: Duke University Press, 1994.
"Interview with José Triana." En busca de una imagen: Ensayos sobre el teatro de Griselda Gambaro y José Triana. Ottawa: Girol Books, 1989.
"Paradigmas de crisis: La obra dramática de Griselda Gambaro." En busca de una imagen: Ensayos sobre el teatro de Griselda Gambaro y José Triana. Ed. Diana Taylor. Ottawa: Girol Books, 1989.
"Violencia y (Re)Creacíon: La noche de los asesinos de josé triana." En busca de una imagen: Ensayos sobre el teatro de Griselda Gambaro y José Triana. Ed. Diana Taylor. Ottawa: Girol Books, 1989.
Articles
"Translating Performance." Profession 2000 (MLA) (2002).
"You Are Here." TDR (2002).
"El espectáculo de la memoria." Teatro al sur (Argentina) (2001).
"Exorcising History: Argentine Theater under Dictatorship." Modern Drama (2001).
"Denise Stoklos: Las políticas de lo descifrable." Documenta (Mexico: CITRU) (2000).
"Denise Stoklos: The Politics of Decipherability." TDR (2000).
"What Is Diana Raznovich Laughing About?" Holy Terrors: Latin American Women Perform. Eds.
Roselyn Costantino and Diana Taylor. Special Issue: Women & Performance, Issue 22, 11:2, 2000.
"Atrocity, Memory and Representation." Belo Horizonte: ECUM Publication (1999).
"Dancing With Diana: A Study of Hauntology." TDR (1999).
"Mestizaje, Hybridity, and Transculturation." Belo Horizonte: ECUM Publication (1999).
"A Savage Performance: Guillermo G—mez-Peña and Coco Fusco's Couple in the Cage." TDR (1998).
"Fantasías masculinas: el teatro y los discursos autoritarios de la guerra." Teatro: Revista de estudios teatrales (1992).
"The Representation of Otherness in Chicano and Latin American Theatre and Film (Theatre Review)." Theatre Journal (1991).
"Theatre Review: The Representation of Otherness in Chicano and Latin American Theatre and Film." Theatre Journal (1991).
"Damnable Iteration: The Traps of Political Speech." MLQ (1996).
"Gambaro's Antigona Furiosa: Rewriting the Classics and Argentina's 'Dirty War'." Bucknell Review (Perspectives on Contemporary Spanish American Theatre) (1996).
"High Aztec or Performing Anthro Pop: Jesusa Rodríguez and Liliana Felipe in El cielo de arriba." TDR (1993).
"Negotiating Performance." Latin American Theatre Review (1993).
"Destruir la evidencia: supresi—n como historia en La maestra de Buenaventura." Gestos (1990).
"Framing the Revolution: Triana's La noche de los asesinos. Cermonial de guerra." Latin American Theatre Review (1990).
"Theatre & Terrorism: Griselda Gambaro's Information for Foreigners." Theatre Journal (1990).
"Violent Acts: A Study of Contemporary Latin American Theatre by Severino Joăo (Book Review)." Gestos (1990).
"Interiority and Exteriority in García Lorca's La casa de Bernarda Alba." Estreno (1989).
"Griselda Gambaro and José Triana at Dartmouth." Latin American Theatre Review (1987).
"Mad World, Mad Hope: Carballido's El dia que se soltaron los leones." Latin American Theatre Review (1987).
"Art and Anti-Art in Egon Wolff's Flores de papel." Latin American Theatre Review (1984).
Related Publications
Edited wtih Roselyn Costantino. Holy Terrors: Latin American Women Perform. Special Issue: Women & Performance, Issue 22, 11:2, 2000.
"Media and Performance along the Border by Johannes Birringer (Book Review)." Gestos (2000).
"Culture across Borders: Mexican Immigration and Popular Culture (Book Review)." Ed. by David R. Maciel and Maria Herrera-Sobek. TDR (1999).
"Facism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945 (Ed. Gunter Berghaus) and Imperialism and Theatre: Essays on World Theatre, Drama and Performance (Ed. J. Ellen Gainor) Book Reviews." TDR (1998).
"Theatre in Latin America: Religion, Politics, and Culture from Cortés to the 1980s by Adam Versenyi (Book Review)." Latin American Theatre Review (1995).
"La dramaturgia hispanoamericana contemporánea: teatralidad y autoconciencia by Priscilla Melendez (Book Review)." Latin American Theatre Review (1993).
"The New Dramatists of Mexico: 1967-1985 by Ronald D. Burgess (Book Review)." South Atlantic Review (1991).
Co-edited with Juan Villegas. "The Representation of Otherness in Chicano and Latin American Theatre and Film." Gestos (Special Monograph Issue) (1991).
"Anna o La Venganza by Manuel Serrat (Book Review)." Estreno (1990).
"Teatro Bufo by Fernando Arrabal, Ed. Francisco Torres Monreal and Espasa Calpe (Book Review)." Estreno (1990).
"Diogenes: Anuario crítico del teatro Latinoamericano, Vols. I & II. Ed. Marina Pianca (Book Review)." Latin American Theatre Review (1988).
